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Scientists create a sheep that is 15% Celine Dion.
Unpopular Cultures on the Agar Plate of Knowledge
"It seems a little unfair" Kevin says, "but I'm happy with what God gave me.". . .
God is still giving, to judge by the boy's growth plate. By seventh grade, when Kevin was cut from the school team and turned to AAU ball, his feet were growing two sizes a year. (He now wears a size 17.) In eighth grade he was palming the ball and, dunking. His oversized right hand, which looks as big as a novelty foam finger, is known around town as the Mitt. With it he catches passes, makes steals and gathers rebounds. "It's like a lacrosse stick," says teammate Nick Johansen.
In one jayvee game last year Kevin had 20 blocks. In another he intercepted a pass, dribbled the length of the floor and dunked. He scored the winning basket with less than a second left against archrival Foothill High. "A lot of people think it would be unfair if he had two arms" says Johansen.A heartwarming story, but with an appalling punchline.
This year, as a varsity starter, Kevin blocked the first five shots in a game against Livermore. He leads the strong East Bay Athletic League with seven rejections a game. No one escapes the Long Arm of the Laue.
There's only one thing you can do for Kevin Laue that he can't do for himself: applaud.
A remote-controlled mechanism with a dozen launching tubes was found buried in the turf at Hong Kong’s most famous horse racing track last week; it was rigged with compressed air to fire tiny, liquid-filled darts into the bellies of horses at the starting gate.
In another tangent, speaking about The Butcher Boy, Neil Jordan’s film version of Patrick McCabe’s darkly satirical novel about a boy’s murder spree in County Monaghan, he said with a rasping chortle, “It’s great if you don’t actually know everything that happens in every Irish town every day of the week.” He said he loved Mr. Jordan’s adaptation of Mr. McCabe’s Breakfast on Pluto, about a London drag queen in trouble with the I.R.A. in the 1970s. He said it brought “back nostalgia for mass killings and bombings, you know what I mean?”
Should an artist working within the revolutionary landscape of rock accept laurels from an institution? Should laurels be offered? Am I a worthy recipient?erm . . . no.
The idea that Cecilia Ahern's first book spawned million-euro advances and film companies couldn't wait to snap it up says everything about the state of Irish fiction at the moment. One or two exceptions apart, it's all tediously safe, formulaic and fluffy. It's like a toilet seat with one of those furry covers on it. Looks nice on the outside, but under the covers it's full of . . .Nice one, Twenty.
That's no real criticism of Cecilia - she's dead right to milk it for all it's worth, but it's a bit sad that a country with such a rich literary history is not producing much of note at the moment. Then, to counter it, stuff like The Sea by John Banville is lauded as great work when it's as tedious and up its own arse as the chick-lit stuff.
Now we'll have a P.S. I Love You movie, merchandise, a spin-off TV series starring Angeline Ball and eventually we'll have a Chick-Lit Idol to find the next Cecilia while the real talent goes ignored and underpaid.
In the first heady days after the fall of the Taliban in December 2001, men shaved, music blasted on car stereos and kites took to the air. For Noor Agha, Kabul's best kite maker, business has been soaring ever since.Isn't that lovely? Kites. What could be more cheery?
Agha's factory is his living room, where he has put his two wives and 11 children to work, cutting, shaping and gluing the intricate tissue-paper mosaics that make his kites stand out for their beauty and superior handling. The secret is in the glue, he says, holding up a pot of evil-smelling green paste. "No one knows my recipe for making a glue that stays perfectly flat when it dries, without rippling the tissue paper," he says.Say what?
Business is so good these days that Agha has had to teach his wives how to make kites. He proudly calls one of them "the second best kite maker in Kabul," although he insists that she will never be as good as he is. "I have 45 years' experience. She'll never be able to catch up." His 6-year-old daughter may have a better chance. Already she is making her own kites to sell to neighborhood children at one afghani (2¢) apiece.My God. The man's a monster! What have we done?! Quick, someone, organize a boycott and we can run this guy out of business. Does George Bush know this is happening?
There is a garda station and a primary school which occupy a site of approximately 2 acres, the buildings thereon being a series of dated school buildings and Portakabins. The village also consists of two pubs, a run down hotel, two newsagents, a pharmacy, two take-aways and a train station.
County Meath (Irish: Contae na Mí) is a county in the Republic of Ireland, often informally called The Crap County.
Sunderland's last two glass-blowing firms are to close with 790 jobs going, Fujitsu shed 600, Groves Cranes 670, Vaux Breweries 600. One could go on. Quinn did.. . .
"At this club, in this region, there is a moral responsibility. The club is the biggest symbol of identity for Sunderland people. What I have to make sure is we strike a balance between being affordable and making sure we can compete. But I'm aware of the whole picture, especially on days like today when you hear what's happened a mile away from the stadium
"If I was offered Chelsea for one pound I wouldn't take it because I can bring nothing to it. But I think I can bring something here because I relate to these people. I hung around with ex-miners when I came here and I still do - they've come over to see me in Ireland. When I first came to England [in 1983] I saw these miners getting the shit kicked out of them by all these cops. It struck a chord with me and, when I came up here, I began to find out more. There was a bitter aftertaste and it helped me find out the real spirit of the region, the real problems, the real pleasures."
A man who was found dressed in latex and handcuffs brought a donkey to his room in a Galway city centre hotel, because he was advised “to get out and meet people,” the local court heard last week.
Thomas Aloysius McCarney with an address in south Galway was charged with cruelty to animals, lewd and obscene behaviour, and with being a danger to himself when he appeared before the court on Friday. He was also charged with damage to a mini-bar in the room, but this charge was later dropped when the defendant said that it was the donkey who caused that damage.
Solicitor for the accused Ms Sharon Fitzhenry said that her client had been through a difficult time lately and that his wife had left him and that his life had become increasingly lonely.
“Mr McCarney has been attending counselling at which he was told that he would be advised to get out and meet people and do interesting things. It was this advice that saw him book into the city centre hotel with a donkey.”
She added that Mr McCarney also suffered from a fixation with the Shrek movies and could constantly be heard at work talking to himself saying things like “Isn’t that right, Donkey?”
Supt John McBrearty told the court that Mr McCarney who had signed in as “ Mr Shrek” had told hotel staff that the donkey was a family pet and that this was believed by the hotel receptionist who the supt said was “young and hadn’t great English.”
Receptionist Irina Legova said that Mr McCarney had told her that the donkey was a breed of “super rabbit” which he was bringing to a pet fair in the city. The court was told that the donkey went berserk in the middle of the night and ran amok in the hotel corridor, forcing hotel staff to call the gardai.
McCarney was found in the room wearing a latex suit and handcuffs, the key to which the donkey is believed to have swallowed.
He was removed to Mill St station after which it is said he was the subject of much mirth among the lads next door in The Galway Arms.
He was fined €2,000 for bringing the donkey to the room under the Unlawful Accommodation of Donkeys Act 1837.
The giant standing cockroach in question was spotted last week in front of an apartment building on Eighty-third Street, just east of Madison Avenue. It was twelve feet tall and hideous, its tentacles waving in the breeze. It was also—on closer, but not too close, inspection—fake. It was an inflatable cockroach.
. . .
This Upper East Side specimen, worn and dusty, was the property, for the moment, of a small cadre of organizers from Local 78, a hazardous-materials removers’ union. “This is not our cockroach, to be honest,” Eli Kent, one of the organizers, said last week. Local 78 had borrowed it from Local 12A, which had purchased two of them from Big Sky Balloons, an Illinois outfit that makes the rats, along with assorted other rabble-rousing inflatables, such as skunks, fat cats, and greedy pigs. Since December 14th, Local 78’s organizers had been setting it up on weekday mornings outside the apartment building (some days they brought a rat or a gorilla instead) to call attention to a tenant there who had apparently hired non-union workers on an asbestos-removal job at a building downtown.
All of which helps explain why Mr. Boulud, 51, cannot grasp why a group of restaurant-worker advocates keep showing up outside Daniel with a 12-foot inflatable cockroach, singing “We Shall Overcome” and chanting that he is a racist.
“Racism is a vicious charge,” Mr. Boulud said in an interview. “It is too easy to accuse someone of that, and it is very hard to defend yourself.”
And yet Mr. Boulud is being forced to do just that. In December, seven current and former employees filed suit in Federal District Court in Manhattan accusing him of discrimination. Similar charges against Mr. Boulud are before the federal Equal Employment Opportunity Commission.